Familiarity with the original book provides additional context and depth but isn’t essential to understanding the plot. Despite the presumed inevitability of a fatal end to the central romance between Orion and Valentino, Silvera subverts the trope of punishing gay characters with violent tragedy. The story confronts heavy topics like grief, abuse, and religious faith with complexity and care. Apart from Valentino and his twin sister, who are presumed White, most of the characters are Latine, including White-passing Orion, whose family is Puerto Rican. Silvera crafts a web of intricately interconnected character perspectives and conflicts around Orion and Valentino. This heart-pounding story follows the final day of the first Decker, or person who is going to die, and the national chaos of Death-Cast’s premiere. By coincidence or fate, their lives collide at a party in Times Square, and a single, historic phone call alters the courses of their futures. Unlike Orion, Valentino Prince, a model on the verge of his national debut, has no reason to anticipate Death-Cast’s call and isn’t sure if he believes the company’s claims. Orion Pagan, an aspiring author with a heart condition, hopes his phone won’t ring at midnight, but he knows Death-Cast’s call is coming soon. As the story progresses it becomes almost a textbook explanation of psychological progression through anger and grief into acceptance, giving the story a distinctly problem-novel feel.Ī problem novel, yes, but an absorbing oneĬrowds gather across the United States for the launch of Death-Cast, a company that promises to change the world by predicting the deaths of everyone who subscribes in this prequel to They Both Die at the End (2017). Her depiction of a disfigured adolescent girl, already searching for herself and now suddenly forced to accept this new enormity, is compelling. Sheinmel writes in Maisie’s present-tense voice, focusing on her internal anger, fears, and grief.
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Only when she reluctantly joins a therapy group for disfigured accident victims does she learn how to cope with her plight.
She dreads returning to school, where Chirag and her best friend try to protect her, but they too struggle with the changes as Maisie flares with anger and lashes out. Chirag tries to stand by her, but she believes everyone sees her as a freak, and she won’t allow him to touch her. She gets the chance for a face transplant, but she will still be permanently scarred. While running one morning, she’s too near a tree when it’s struck by lightning, and the resultant fire burns much of her face away. Sixteen-year-old Maisie loves to run track, and she secretly loves her boyfriend, Chirag, although she hasn’t yet told him. There are a few instances of body- and fat-shaming that are very off-putting, so readers should be forewarned.When a pretty, athletic girl loses her face in a fire, she gets a face transplant and struggles with the permanent changes in her life. The intended audience is middle grade, but at times the slow pace of the book and overall plot might be a hard sell for children in this age bracket.
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After years of training, does she have what it takes to succeed and bring down Germany’s most powerful and dangerous man? The storyline is very promising, but the text is difficult at times, with period words that are not often understood in context, plus a lot of German that readers might struggle with. Our main heroine performs her role impeccably, and she manages to get closer and closer to Hitler for her mission.
Alice’s older sister Louise has been left behind, as she retired from the family business and has undergone facial cosmetic surgery. Alice and her family fly from their native England to Nazi Germany, where she and her parents all have different intelligence assignments. Thirteen-year-old Alice Winfield comes from a long line of spies, a special group of people called the Tabula Rasa who are skilled in many areas-but their distinctive feature is that they have faces one can’t remember. It’s 1944 and Europe is struggling through the war. Gr 5 Up–Spies during World War II are front and center in Lasky’s fourth story on this period.
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